Idioma del curso: Español e Inglés

3-Day Flash Sale!! Get This Exclusive ❄️WINTER SALE❄️

Learn & Master Orchestral Mockup Production Secrets From Award-Winning Composer Marc Jovani

With Our New Course...
"Symphonic Virtual Orchestration: Orchestral Mockup Production"

Lite Version

ATTENTION COMPOSERS! Get This Exclusive 👨 Father's Day 👨 Offer For A Limited Time... This special offer ends on .

Learn & Master Orchestral Mockup Production Secrets

From Award-Winning Composer

Marc Jovani

Introducing Our New Course...

"Symphonic Virtual Orchestration: Orchestral Mockup Production" Lite Version

Flash Father's Day Sale!Order The SVO's Online Course Now And Save!

Regular Price: $497

Get The Course Today For Only:

$97.00

This Special Offer Ends On

Then the price will go up to $497

Thrive&Global Interview - Marc Jovani

MusicTech.net - Music Production and Innovation

“If you’re seriously interested in getting into orchestral film and TV composition, then this is an incredibly focused (orchestral mockup production) course that is well worth”

DEMO THE COURSE (Watch Inside The Course!)

MusicTech.net - Music Production and Innovation

“If you’re seriously interested in getting into orchestral film and TV composition, then this is an incredibly focused (orchestral mockup production) course that is well worth”

Inside Symphonic Virtual Orchestration 

Lite Version

The Symphonic Virtual Orchestration Lite is a 10 Module Course (if you get the Power Package) with over 120 video lessons to help you grow you orchestral mockup production skills. The entire course is designed to give you the information, resources, motivation – and most importantly – the accountability that is essential to your long-term success.

120+ High-Impact Videos

Each lesson has been split into bite-sized chunks so you don't get overwhelmed with a flood of information. Take the course at your own pace, and really study the lessons as you apply the actionable lessons to your business.

Group Coaching

You will have the opportunity to work through any roadblocks you encounter during our Group Coaching Meetings. These are specific times the teachers at Cinematic Composing will be available inside of a video chat room where you can jump in to have your burning questions answered. Stay for as long as you'd like to listen in on other people’s questions, or leave as soon as you have your questions answered. These often turn into impromptu lessons as I elaborate on specific topics or start digging into someone's composing career.

Private Group With Everyone In The Community

Interact with other students who are going through some of your same struggles. Everyone inside of the community will be participating in group discussions inside our group. This will be a constant source of encouragement, accountability, community, and a place where lifelong friends will be forged.

Group Coaching

You will have the opportunity to work through any roadblocks you encounter during our Group Coaching Meetings. These are specific times the teachers at Cinematic Composing will be available inside of a video chat room where you can jump in to have your burning questions answered. Stay for as long as you'd like to listen in on other people’s questions, or leave as soon as you have your questions answered. These often turn into impromptu lessons as I elaborate on specific topics or start digging into someone's composing career.

Private Group With Everyone In The Community

Interact with other students who are going through some of your same struggles. Everyone inside of the community will be participating in group discussions inside our group. This will be a constant source of encouragement, accountability, community, and a place where lifelong friends will be forged.

Go At Your Own Pace

This special offer ends on .

BUT you can go at your own pace. Don’t need to follow the course’s schedule. 

The course materials do not expire and you’ll have access to them for life. Even for the future course updates and improvements!

The duration is 6-8 weeks approx. You can do it a bit faster, or take as much time as you want/need. 

Or you could even take advantage of the discount now, and be doing the course later

The chat sessions get recorded and you can watch the replay whenever you want.

Marc Teaches You...

Synthestration. Tactics for a good sound

10 Topics, 12 Videos, 2h+ of content

First Steps

Introduction: Synthestration. Tactics for a good sound

Difference between Samples and Real Orchestra

Basics: Recording Dynamics

Balance

Panning

Layers: Distributing your Musical ideas

Volume: 7, 11, Kontakt, Audio, Gain, etc

Keyswitches

Equalization

And so much more...

Using Templates to Boost Productivity

8 Topics, 11 Videos, 3h+ of content

Using Templates to Boost Productivity

Routing

Small & Big Templates. Pros & Cons

Minimal set-up

Modular Templates (Sonar & Cubase)

Organization: Groups, Kontakt Instances, Buses, Stems

Reverbs

Computer Specs

Arranging for Samples. Techniques Compilation

13 Topics, 14 Videos, 3h+ of content

Ready-to-go Tracks: Configured and pre-routed

Getting a Tight & Powerful Orchestral Sound

Orchestrating Percussion Beds: balance, panning, layers

Sequencing a Percussion Bed: step by step

Ensemble Patches: benefits and when to use them

Strings Long Sequencing: big cinematic sound

Sequencing Trumpets: the right way

Horn Patches: for an epic cinematic sound

Tremolo strings: very good sounding articulation usually underused

Low Staccato Strings: for an epic cinematic sound

Horn Patches: for an epic cinematic sound

Arranging for Samples. Techniques Compilation (pt 2)

10 Topics, 11 Videos, 2h+ of content

Sequencing Fast Strings - Three Approaches

Strings Measured Tremolos/Staccatos

Timpani as a Main Orchestral Percussion Instrument

Blending Percussion and Orchestral Parts

Blending Choir and Orchestra

Compressing Velocities

Importing MIDI data from Score Editor. A good idea?

Sketching Within your Sequencer

And so much more...

Composing Workflow for Consistent Good Results

6 Topics, 8 Videos, 2h+ of content

Introduction: Composing Workflow for Consistent Good Results

Efficiency. Workflow overview

1 min. Track under 1h: Introduction

1 min. Track under 1h: Composing

1 min. Track under 1h: Mixing

1 min. Track under 1h: Mastering

Bonus #1: Class A Composers' Systems, Explained

4 Topics, 4 Videos, 1h+ of content

Introduction

Tom Holkenborg

Harry Gregson-Williams

John Powell

Plus, you'll learn to compose in these styles...

Thriller, Spy, Comedy, Romantic Love Ballade, Sadness, Drama, Orchestral Trailer, Action, Adventure...

*included with the SVO +  Film Music Cliches

Also, Learn How To Mixing & Master Orchestral Mockups...*

Mixing:

Basics: Exporting Stems, Analog Saturation, Reverb, E.Q., Compression, Automation (where the Magic Happens)...

Mixing each section: Mixing Strings Stems, Mixing Brass/WW Stems, Mixing Percussion, Mixing other instruments and sections, Synths...

   Expanding Mixing Depth: Reverbs, Delays, FX, MaxxBass

   Bonus: Learning from the pros (commercial tracks stems)

*included with the Power Package

Mastering: 

E.Q., Analog saturation, Dynamics, Exciter, Imaging, Maximizer, Automation

*included with the Power Package


And so much more...

Inside Symphonic Virtual Orchestration 

The Symphonic Virtual Orchestration Lite is a 10 Module Course (if you get the Power Package) with over 120 video lessons to help you grow you orchestral mockup production skills.
The entire course is designed to give you the information, resources, motivation – and most importantly – the accountability that is essential to your long-term success.

120+ High-Impact Videos

Each lesson has been split into bite-sized chunks so you don't get overwhelmed with a flood of information. Take the course at your own pace, and really study the lessons as you apply the actionable lessons to your business.

Group Coaching

You will have the opportunity to work through any roadblocks you encounter during our Group Coaching Meetings. These are specific times the teachers at Cinematic Composing will be available inside of a video chat room where you can jump in to have your burning questions answered. Stay for as long as you'd like to listen in on other people’s questions, or leave as soon as you have your questions answered. These often turn into impromptu lessons as I elaborate on specific topics or start digging into someone's composing career.

Private Group With Everyone In The Community

Interact with other students who are going through some of your same struggles. Everyone inside of the community will be participating in group discussions inside our group. This will be a constant source of encouragement, accountability, community, and a place where lifelong friends will be forged.

Go At Your Own Pace

This special offer ends on .

BUT you can go at your own pace. Don’t need to follow the course’s schedule. 


The course materials do not expire and you’ll have access to them for life. Even for the future course updates and improvements!


The duration is 6-8 weeks approx. You can do it a bit faster, or take as much time as you want/need. 


Or you could even take advantage of the discount now, and be doing the course later


The chat sessions get recorded and you can watch the replay whenever you want.


Also, you’ll have access to the course materials for life, as well as to the Facebook group AND the weekly chats


You can join any weekly chat that you want, even if your course has finished.

Marc Teaches You...

Synthestration. Tactics for a good sound

10 Topics, 12 Videos, 2h+ of content      First Steps   Introduction: Synthestration. Tactics for a good sound    Difference between Samples and Real Orchestra    Basics: Recording Dynamics    Balance    Panning    Layers: Distributing your Musical ideas    Volume: 7, 11, Kontakt, Audio, Gain, etc    Keyswitches    Equalization    And so much more...

Using Templates to Boost Productivity

8 Topics, 11 Videos, 3h+ of content      Using Templates to Boost Productivity    Routing    Small & Big Templates. Pros & Cons    Minimal set-up    Modular Templates (Sonar & Cubase)    Organization: Groups, Kontakt Instances, Buses, Stems    Reverbs    Computer Specs

Arranging for Samples. Techniques Compilation

13 Topics, 14 Videos, 3h+ of content      Ready-to-go Tracks: Configured and pre-routed    Getting a Tight & Powerful Orchestral Sound    Orchestrating Percussion Beds: balance, panning, layers    Sequencing a Percussion Bed: step by step    Ensemble Patches: benefits and when to use them    Strings Long Sequencing: big cinematic sound    Sequencing Trumpets: the right way    Horn Patches: for an epic cinematic sound    Tremolo strings: very good sounding articulation usually underused    Low Staccato Strings: for an epic cinematic sound    Horn Patches: for an epic cinematic sound

Arranging for Samples. Techniques Compilation (pt 2)

10 Topics, 11 Videos, 2h+ of content      Sequencing Fast Strings - Three Approaches    Strings Measured Tremolos/Staccatos    Timpani as a Main Orchestral Percussion Instrument    Blending Percussion and Orchestral Parts    Blending Choir and Orchestra    Compressing Velocities    Importing MIDI data from Score Editor. A good idea?    Sketching Within your Sequencer    And so much more...

Composing Workflow for Consistent Good Results

6 Topics, 8 Videos, 2h+ of content      Introduction: Composing Workflow for Consistent Good Results    Efficiency. Workflow overview    1 min. Track under 1h: Introduction    1 min. Track under 1h: Composing    1 min. Track under 1h: Mixing    1 min. Track under 1h: Mastering

Bonus #1: Class A Composers' Systems, Explained

4 Topics, 4 Videos, 1h+ of content       Introduction     Tom Holkenborg      Harry Gregson-Williams     John Powell

Plus, you'll learn to compose in these styles...

Thriller, Spy, Comedy, Romantic Love Ballade, Sadness, Drama, Orchestral Trailer, Action, Adventure...

*included with the SVO + Film Music Cliches

Also, Learn How To Mixing & Master Orchestral Mockups...*

Mixing:

Basics: Exporting Stems, Analog Saturation, Reverb, E.Q., Compression, Automation (where the Magic Happens)...

Mixing each section: Mixing Strings Stems, Mixing Brass/WW Stems, Mixing Percussion, Mixing other instruments and sections, Synths...

   Expanding Mixing Depth: Reverbs, Delays, FX, MaxxBass

   Bonus: Learning from the pros (commercial tracks stems)

*included with the Power Package


Mastering: 

E.Q., Analog saturation, Dynamics, Exciter, Imaging, Maximizer, Automation

*included with the Power Package


And so much more...

More information about these modules in the second page of the checkout...

Marc Jovani

Composer

Teacher

Co-founder of Cinematic Composing

About Marc Jovani

For nearly ten years, Marc Jovani has been working at the highest level of film, providing music for many major studios such as Lionsgate, Syfy, FOX and most recently NETFLIX. He has also composed music for television shows and movies distributed on leading, nationally broadcasted television channels, including Lifetime (USA), TF1 (France), the Hallmark Channel (USA), Canale 5 (Italy), Antena 3 (Spain), HBO (USA) and more. Having received international recognition for numerous prestigious productions, Marc’s desire to work on quality projects is only surpassed by his desire to create the most engaging scores.

His scores have been recorded with some of the best orchestras and have been conducted by the composer himself in renowned studios such as the historic Eastwood Scoring Stage at Warner Bros studios in Burbank, The Eastwood Scoring Stage in Hollywood, The Bridge Recording in Glendale, and the Village Studios in Los Angeles, among others. In addition to conventional musical composition, Marc specializes in contemporary hybrid scores. In combining modern electronic elements with the now standard orchestral pallet, Marc creates a unique and identifiable sonic identity for every project.

As an entrepreneur, Marc Jovani is the co-founder and CEO of Cinematic Composing, a prestigious online film music school offering high-quality self-contained courses and an exclusive 6-month online film scoring program called Momentum.The core mission of Cinematic Composing is to transform lives by guiding those with a passion for music to embrace their calling, bringing joy and fulfillment through the power of orchestral composition and film scoring. So far, more than 20,000 composers have taken courses at Cinematic Composing.

  • Grammy Award-winning motion picture music producer

  • Walt Disney Pictures: Vice President of Music Production (for 11 years)

  • ​Launched the MA in Scoring for Film, TV and Video Games at the international campus of the Berklee College of Music

  • ​Developed the MFA in Music Composition for the Screen at Columbia College Chicago

  • ​Advisor and Lecturer for the MA in Film Scoring at Pulse College, Dublin

  •  Author of the Book "Scoring The Screen: The Secret Language Of Film Music"

Praise For The 'Symphonic Virtual Orchestration' Course

John Powell - Film Composer (How to Train Your Dragon)

“Andy Hill has the ability to deconstruct and explain the process of writing film scores with extraordinary clarity, all the while imbuing the subject with a fervor that should, in my opinion, be reserved only for European football matches and Baptist revival meetings.”

Christopher Young - Film Composer (Spider-Man)

You MUST get this – While most analytical books are written by academics, Andy was right there in the thick of things as a member of the Disney music department, while the majority of the scores in the book were actually being recorded. Not to mention, it is so alive with his mad passion for film music.

Conrad Pope - Composer/Orchestrator (Harry Potter and the Sorcerer's Stone)

“Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”

Bruce Broughton - Composer (Silverado)

“Andy Hill’s ‘Scoring the Screen’ is, like its author, thoughtful, incisive and full of solidly interesting insights into the technique, craft and emotional magic of film scores and the composers who create them.”

Daniel Carlin - Professor & Chair/Director, Scoring for Motion Pictures and Television, Thornton School of Music, University of Southern California

“Andrew Hill displays the comprehensive knowledge, wisdom, and reverence required to provide informed and practical insight into the art and craft of composing screen music. His background as a practicing musician, Disney studio music-executive, and college-level educator enables him to intelligently—and sometimes amusingly—reveal the magic behind the film-composer’s curtain.”

Robert Townson - Film Music Producer (Varèse Sarabande Records and Varèse Live)

“Andy presents his case that the finest composers to have worked in film over the last eighty years have contributed genuine masterpieces of music and drama to our culture. A film score must excel at both to be successful, and this is so beautifully illustrated in Hill’s elegant prose.  Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Flash 1-Day Pre Black Friday SaleOrder Andy Hill's Online Course Now And Save

Regular Price: $497

Get The Course Today For Only:

$97.00

This Special Offer Ends On

This Special Offer Ends On November 4th

Then the price will go up to $497

Marc Jovani

Composer

Teacher

Co-founder of Cinematic Composing

About Marc Jovani

For nearly ten years, Marc Jovani has been working at the highest level of film, providing music for many major studios such as Lionsgate, Syfy, FOX and most recently NETFLIX. He has also composed music for television shows and movies distributed on leading, nationally broadcasted television channels, including Lifetime (USA), TF1 (France), the Hallmark Channel (USA), Canale 5 (Italy), Antena 3 (Spain), HBO (USA) and more. 


Having received international recognition for numerous prestigious productions, Marc’s ability to enhance the experience of the audience is what makes him unique. Jovani’s ability to elevate onscreen drama through his well defined musical voice is what makes his contribution so valuable.


His scores and orchestral mockups have been then recorded with some of the best orchestras and have been conducted by the composer himself in renowned studios such as the historic Eastwood Scoring Stage at Warner Bros studios in Burbank, The EastWest Scoring Stage in Hollywood, The Bridge Recording in Glendale, and the Village Studios in Los Angeles, among others. In addition to conventional musical composition, Marc specialises in contemporary hybrid scores. In combining modern electronic elements with the now standard orchestral pallet, Marc creates a unique and identifiable sonic identity for every project.


The quality of the above-mentioned productions is illustrated by the national and international accolades they have received, as well as their selection for exhibition at numerous widely attended and high-profile international film festivals.

  • Grammy Award-winning motion picture music producer

  • Walt Disney Pictures: Vice President of Music Production (for 11 years)

  • ​Launched the MA in Scoring for Film, TV and Video Games at the international campus of the Berklee College of Music

  • ​Developed the MFA in Music Composition for the Screen at Columbia College Chicago

  • ​Advisor and Lecturer for the MA in Film Scoring at Pulse College, Dublin

  •  Author of the Book "Scoring The Screen: The Secret Language Of Film Music"

Praise For The 'Symphonic Virtual Orchestration' Course

John Powell - Film Composer (How to Train Your Dragon)

“Andy Hill has the ability to deconstruct and explain the process of writing film scores with extraordinary clarity, all the while imbuing the subject with a fervor that should, in my opinion, be reserved only for European football matches and Baptist revival meetings.”

Christopher Young - Film Composer (Spider-Man)

You MUST get this – While most analytical books are written by academics, Andy was right there in the thick of things as a member of the Disney music department, while the majority of the scores in the book were actually being recorded. Not to mention, it is so alive with his mad passion for film music.

Conrad Pope - Composer/Orchestrator (Harry Potter and the Sorcerer's Stone)

“Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”

Bruce Broughton - Composer (Silverado)

“Andy Hill’s ‘Scoring the Screen’ is, like its author, thoughtful, incisive and full of solidly interesting insights into the technique, craft and emotional magic of film scores and the composers who create them.”

Daniel Carlin - Professor & Chair/Director, Scoring for Motion Pictures and Television, Thornton School of Music, University of Southern California

“Andrew Hill displays the comprehensive knowledge, wisdom, and reverence required to provide informed and practical insight into the art and craft of composing screen music. His background as a practicing musician, Disney studio music-executive, and college-level educator enables him to intelligently—and sometimes amusingly—reveal the magic behind the film-composer’s curtain.”

Robert Townson - Film Music Producer (Varèse Sarabande Records and Varèse Live)

“Andy presents his case that the finest composers to have worked in film over the last eighty years have contributed genuine masterpieces of music and drama to our culture. A film score must excel at both to be successful, and this is so beautifully illustrated in Hill’s elegant prose.  Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Flash 1-Day Pre Black Friday SaleOrder Andy Hill's Online Course Now And Save

Regular Price: $497

Get The Course Today For Only:

$97.00

This Special Offer Ends On

This Special Offer Ends On November 4th

Then the price will go up to $497

Symphonic Virtual Orchestration

Lite Version

Get This Exclusive ❄️ WINTER SALE ❄️ - 3-Day Flash Sale!Order Marc Jovani's Online Course Now And Save!

Regular Price: $497

Get The Course Today For Only:

$97.00

This Special Offer Ends On November 4th

This Special Offer Ends On

Then the price will go up to $497

Praise For The 'Symphonic Virtual Orchestration' Course

John Powell - Film Composer (How to Train Your Dragon)

“Andy Hill has the ability to deconstruct and explain the process of writing film scores with extraordinary clarity, all the while imbuing the subject with a fervor that should, in my opinion, be reserved only for European football matches and Baptist revival meetings.”

Christopher Young - Film Composer (Spider-Man)

You MUST get this – While most analytical books are written by academics, Andy was right there in the thick of things as a member of the Disney music department, while the majority of the scores in the book were actually being recorded. Not to mention, it is so alive with his mad passion for film music.

Conrad Pope - Composer/Orchestrator (Harry Potter and the Sorcerer's Stone)

“Andy Hill is among the handful of penetrating minds and ears engaged in film music today.”

Bruce Broughton - Composer (Silverado)

“Andy Hill’s ‘Scoring the Screen’ is, like its author, thoughtful, incisive and full of solidly interesting insights into the technique, craft and emotional magic of film scores and the composers who create them.”

Daniel Carlin - Professor & Chair/Director, Scoring for Motion Pictures and Television, Thornton School of Music, University of Southern California

“Andrew Hill displays the comprehensive knowledge, wisdom, and reverence required to provide informed and practical insight into the art and craft of composing screen music. His background as a practicing musician, Disney studio music-executive, and college-level educator enables him to intelligently—and sometimes amusingly—reveal the magic behind the film-composer’s curtain.”

Robert Townson - Film Music Producer (Varèse Sarabande Records and Varèse Live)

“Andy presents his case that the finest composers to have worked in film over the last eighty years have contributed genuine masterpieces of music and drama to our culture. A film score must excel at both to be successful, and this is so beautifully illustrated in Hill’s elegant prose.  Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Flash 1-Day Pre Black Friday SaleOrder Andy Hill's Online Course Now And Save

Regular Price: $497

Get The Course Today For Only:

$97.00

This Special Offer Ends On

This Special Offer Ends On November 4th

Then the price will go up to $497