“If you’re seriously interested in getting into orchestral film and TV composition, then this is an incredibly focused (orchestral mockup production) course that is well worth”

Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Whether it’s a film, TV show, video game or music production, the information you will learn in this class is very valuable and will be useful for the rest of your career.

"If you’ve been looking for real world, workable answers and solutions on how to set up and structure an effective film composition recording and production environment this is the course for you. The modern composer has to fill many roles beyond just coming up with the music. You’re also expected to provide score mockups, be the arranger, music editor, sound designer and pretty much anything else that involves the music side of a movie or television show. Film composer Marc Jovani cuts to the chase on setting up workable templating, the pros and cons of many popular sound libraries, best practices for mixing and mastering along with tips on how to handle the variety and complexity of requests you will encounter this business. Marc’s passion for film scoring is only surpassed by his desire to educate both aspiring and established composers to be the best and most competitive music professionals they can be."

"I am only into day 2, I am so impressed! The chat/interactive video chat, the assignments, and the customer service is WAY more than I thought this experience was going to be."

Whether it’s a film, TV show, video game or music production, the information you will learn in this class is very valuable and will be useful for the rest of your career.

"If you’ve been looking for real world, workable answers and solutions on how to set up and structure an effective film composition recording and production environment this is the course for you. The modern composer has to fill many roles beyond just coming up with the music. You’re also expected to provide score mockups, be the arranger, music editor, sound designer and pretty much anything else that involves the music side of a movie or television show. Film composer Marc Jovani cuts to the chase on setting up workable templating, the pros and cons of many popular sound libraries, best practices for mixing and mastering along with tips on how to handle the variety and complexity of requests you will encounter this business. Marc’s passion for film scoring is only surpassed by his desire to educate both aspiring and established composers to be the best and most competitive music professionals they can be."

"I am only into day 2, I am so impressed! The chat/interactive video chat, the assignments, and the customer service is WAY more than I thought this experience was going to be."

Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”

Having produced new recordings of To Kill A Mockingbird — with Elmer Bernstein — and Patton — with Jerry Goldsmith — and examined these and other scores in great detail with the composers themselves, I found myself very moved by Hill’s like-minded analysis. Part of the film composer’s art is in fact to conceal the effort and the intellect that goes in to the creation of their scores. Hill thankfully lifts the veil. I am thrilled to see such a rare spotlight illuminating the artistry behind these masterworks.”